Marina Warner

2019

November 2019
George Eliot at 200
More info soon

11th-12th May 2019
‘Critical Thought in Times of Attrition’ A University Weekend at Birkbeck
University of London, at the heart of London’s Bloomsbury, in collaboration with The London Review of Books
Over the past few years, political events – Brexit, Trump, austerity, the rise of neo-fascism and rascal across the world, continuing violence against women, climate change, the ongoing exploitation of the Global South – have cast a dark shadow over the world, making it all the more urgent for intellectual life to preserve a space for dissent. More info soon.

Spring 2019
MW becomes patron of The Story Museum, Oxford
https://www.storymuseum.org.uk/about-us/people/

23rd March 2019
Marina Warner at Essex Book Festival 2019

https://essexbookfestival.org.uk

18th March 2019
Ali Smith and Marina Warner in conversation chaired by Jacqueline Rose (Birkbeck Institute for the Humanities)
Clore Management Building, Torrington Square, London, WC1E 7HX
Ali Smith and Marina Warner are writers who have both engaged with the issue of refugees and migrants in our time. Ali Smith has been centrally involved with the campaigning group Refugee Tales, which publishes the stories of individual refugees about their experiences of migration, trafficking and detention. Its main target is ending indefinite detention in the UK. Through Stories in Transit, a project which began in 2016 in Palermo, Sicily, Marina Warner has worked with refugees there and in London, trying to develop a method and establish a forum for expression, narrative and performance. Both are trying to take part in creating ‘a language of welcome’ at a time when policies of this government here and elsewhere are seeking to normalise xenophobia and intolerance. In this conversation they will discuss the work to be done to generate spaces of potential understanding and modes of resistance around one of the most vexed issues of modern times.
https://www.eventbrite.co.uk/e/ali-smith-and-marina-warner-in-conversation-tickets-55902272201?utm-medium=discovery&utm-campaign=social&utm-content=attendeeshare&aff=escb&utm-source=cp&utm-term=listing

March 2019
Interview with MW in The Thinking Woman by Julienne van Loon (NewSouth, 2019), chapter 5, pp 149-184
‘One of the age-old questions of philosophy is what does it mean to live a good life? In this extraordinary book, scholar and writer, Julienne van Loon, applies a range of philosophical ideas to her own experience. Van Loon engages with the work of six leading contemporary thinkers and writers — Rosi Braidotti, Nancy Holmstrom, Siri Hustvedt, Laura Kipnis, Julia Kristeva and Marina Warner — through interrogating and enlivening their ideas on love, play, fear, work, wonder and friendship.
Her journey is intellectual and deeply personal, political and intimate at once. It introduces readers to six extraordinary women whose own deeply thoughtful work has much to offer all of us. They may transform our own views of what it means to live a good life.’  https://www.newsouthbooks.com.au/books/thinking-woman/

15th March 2019
In Conversation: Dame Marina Warner and Jennifer Scott at Dulwich Picture Gallery
Inspired by the mythic symbolism of Harald Sohlberg’s work, join author and historian Professor Dame Marina Warner and Jennifer Scott, Dulwich Picture Gallery’s Sackler Director, for a conversation about mythology and enchantment in the arts.
Drawing upon Warner’s book, Forms of Enchantment; Writings on Art and Artists, the pair will discuss the work of Harald Sohlberg and the power that symbols and stories have within today’s culture.

https://my.dulwichpicturegallery.org.uk/tickets/2959/in-conversation

16th February 2019
Art as fulfilment: the use of religion and spirituality in contemporary art at Royal Academy of Arts, London
The preoccupation with fundamental questions of life is often central to an artist, their work and their audiences. Join our panel, including Marina Warner and Professor Ben Quash, as they examine how artists and the public might “use” contemporary art as a means to express and reflect on religion and spirituality.
Art can challenge our beliefs and provoke debate. For an artist, art can be a place where personal thoughts and beliefs can be expressed and problems can be detoxified. Our panel questions whether an audience can achieve an emotional or spiritual connection through art? Are they more likely to visit a museum than a place of worship? In contrast, what is intended when contemporary art is shown in a place of worship? Can we find meaning in the fundamental questions of life through art?
Panellists include writer, historian and mythographer Marina Warner, and Professor of Christianity and the Arts at King’s College London, Ben Quash. Further panellists to be announced.
https://www.royalacademy.org.uk/event/art-as-fulfillment-religion-spirituality-in-contemporary-history

MW becomes a patron of Sphinx Theatre Company
http://www.sphinxtheatre.co.uk/about.html

6th February 2019
Narrative Intelligence – A conversation with Marina Warner, Shezad Dawood and Marc Davis, moderated by Nick Hackworth

The fourth in a series of talks organised by ArtReview and Modern Forms.
From the birth of writing to recent developments in VR and the narrative capabilities of Artificial Intelligence, technology has the power to radically alter the nature of the stories that we tell about ourselves and the world. Artist Shezad Dawood and technologist Marc Davis join the writer and academic Marina Warner to discuss the complex relationship between technology and storytelling. 
https://modernforms.org/event/narrative-intelligence-a-conversation-with-marina-warner-shezad-dawood-and-marc-davis/

18th January 2019
Loss Sings Arabic Poetry and Stories in Translation: a series of workshops at Birkbeck and SOAS, Presented by Marina Warner and Wen-chin Ouyang

The Keynes Library, School of Arts, Birkbeck College, University of London

In this deeply personal meditation, part prose memoir, part poetry translation, James E. Montgomery explores memory, grief and the consolatory power of words through the prism of his personal circumstances. Cahiers is a series of publications about translation by writer/translators, and in this latest publication, Montgomery refracts his thoughts with renderings of the laments that the 6th-Century poetess al-Khansa’ wrote after her two brothers died in battle.
 The text spans a fortnight, ending on 11 September 2017, 16 years after Montgomery witnessed, from his Greenwich Village window, the haunting and ‘strange beauty’ of the day’s catastrophe. He has commented on the process of making this opuscule: ‘Translation is also mourning for what we want to retain, what we value and cherish; it is, equally, mourning for what we know we must lose’.
https://www.creativeml.ox.ac.uk/about/events/loss-sings

Loss sings event poster