Oxford University Press. Hardback edition, 2002
Vintage. Paperback edition, 2004

Metamorphosis is a dynamic principle of creation, vital to natural processes of generation and evolution, growth and decay. In this book, Fantastic Metamorphoses, Other Worlds: Ways of Telling the Self Marina Warner also explores how ideas of individual identity and consistency are threatened if a person is subject to a continual process of transformation. Shape-shifting belongs too in the landscape of magic, witchcraft, and wonder, in classical mythology, early modern fairy tales and the uncanny fiction of the last two centuries.

Mutating, Hatching, Splitting, Doubling-Marina Warner’s exhilarating journey of exploration tracks the four dominant metamorphic processes to reveal their power in evoking personality. She covers a dazzling range of topics and suggests richly unexpected connections. All this is set against a background of historical encounters with other cultures, especially of the Caribbean, and presented with her characteristic zest.

Beginning with Ovid’s great poem, Metamorphoses, a founding text of the metamorphic tradition, she carries us into the fantastic art of Hieronymus Bosch, the legends of the Taino people, the life cycle of the butterfly, the myth of Leda and the Swan, the genealogy of the Zombie, the pantomime of Aladdin, the haunting of doppelgangers, the coming of photography, and the late fiction of Lewis Carroll.



‘Who but Warner could have written with such elegance and brilliance on our continuing need for fairytales?’
- Amanda Craig, The Times

‘Warner is a modern Renaissance woman, at ease in a multi-disciplinary world of art, literature, and science.’
- The Independent Magazine

‘Warner’s gift is for inspired juxtaposition… a magic lantern show that takes us from Caribbean creation myths all the way to the personal demons of Philip Pullman’s His Dark Materials trilogy. What makes Fantastic Metamorphoses remarkable is its dashing investigation of imagination.’
- David Jays, The Observer

‘The continued power of ancient mythology to shape art and writing is illuminated with all [Warner’s] usual postmodern pyrotechnical brilliance.’
- Art Newspaper

‘A distinguished biographer of myths and archaeologist of ideas’
- The Guardian

‘A sprightly, imaginative, playful, fabulously informed public meditation on change, mutating, hatching, splitting, doubling and carrying on.’
- The New York Times

‘She is a terrific writer and original scholar’
- The Daily Telegraph








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