Postfeminist Discourse in Shakespeare's The Tempest and Warner's Indigo: Ambivalence, Liminality and Plurality, by Natali Boğosyan, published November 2012, Cambridge Scholars Publishing.

A scrupulous study of Shakespeare's The Tempest and its most comprehensive rewriting Indigo, or Mapping the Waters by Marina Warner. More details can be found here.

F.Tuba Korkmaz, Rewriting Myths - Voicing Female Experience in Margaret Atwood's Surfacing and The Penelopiad & Marina Warner's Indigo and The Leto Bundle, (LAP LAMBERT Academic Publishing, Germany 2011).

Laurence Coupe, Marina Warner (in series Writers and Their Work, ed. Isobel Armstrong)
London: British Council 2006.

Corona, Daniela. “C’Era due voltex” La narrativa realistica di Marina Warner (Palermo, 2002)
Babos, Daniela. Postmodern Issues in Marina Warner’s Indigo and The Lost Father, Cluj-Napoca (Rumania), 2002

Sanda Berce and Monika Varga, / Intertextuality As a Form of Virtual Reality/ (Cluj-Napoca: Editura Dacia, 2002)



MW's The Leto Bundle in Strange Monsters - Ovid's Presence in Contemporary Women's Writing by Fiona Fox published by Oxford University Press, 2018.

MW interviewed in British Academy Review No. 28 Summer 2016, pp34-39. Marina Warner on stories as thought experiments in times of turmoil, a PDF of the interview can be downloaded here.

Professor Dame Marina Warner CBE included in a book entitled Fifty-one Key Feminist Thinkers. Published by Routledge, the book includes feminist thinkers, historical and contemporary. Professors Mulvey and Warner are included in the list, alongside distinguished figures such as Sappho, Doris Lessing, Virginia Woolf, Simone de Beauvoir and Mary Wollstonecraft.

'The feminist thinkers in this collection are the designated "fifty-one key feminist thinkers," historical and contemporary, and also the authors of the entries. Collected here are fifty-one key thinkers and fifty-one authors, recognizing that women are fifty-one percent of the population. There are actually one hundred and two thinkers collected in these pages, as each author is a feminist thinker, too: scholars, writers, poets, and activists, well-established and emerging, old and young and in-between. These feminists speak the languages of art, politics, literature, education, classics, gender studies, film, queer theory, global affairs, political theory, science fiction, African American studies, sociology, American studies, geography, history, philosophy, poetry, and psychoanalysis. Speaking in all these diverse tongues, conversations made possible by feminist thinking are introduced and engaged.'

Fifty-One Key Feminist Thinkers, edited by Lori J. Marso (Routledge 2016) The book can be found here.

'Conversations with Critics by Nicolas Tredel' first published by Carcanet (1994) Republished by Verbivoracious Press (2015). Interviews John Barrell; Catherine Belsey; Bernard Bergonzi; Christine Brooke-Rose; David Caute; Brian Cox; Donald Davie; Terry Eagleton; Stephen Heath; Robert Hewison; Philip Hobsbaum; Lisa Jardine; Frank Kermode; Colin MacCabe; Karl Miller; Roger Scruton; C. H. Sisson; George Steiner; Raymond Tallis; Marina Warner. More infomation can be found here.

'Open Questions' – An Interview with Marina Warner by Karina Jakubowicz in The Literateur.com on 14 Jan 2016
can be read here.

'The lingua franca of yearning and inquiry - Marina Warner' By Teodor Reljicpublished August 2015 here.

MW's 'Fly Away Home' featured in universeinwords.blogspot.co.uk here and September 2015.

'Book Talk' Marina Warner interviewed by Anna Della Subin in Tank Magazine, Volume 8, Issue Summer 2015 4, pp 274-275, details can be found here.

MW interviewed about the Holberg Prize 2015 in Vårt Land newspaper Norway on 6th June 2015 pp 40-41. The article can be read here.

MW interviewed for 'All Day Long: A Portrait of Britain At Work' by Joanna Briggs, published by Serpents Tail (London 2015), pp 155-163.

Marina Warner was interviewed for Amsterdam literary publication DE GIDS, published November 2014. Details can be found here.

'Judging panel for the Man Booker International Prize to visit Abu Dhabi'
Marina Warner interviewed for The National published on 30 October 2014, the interview can be read here.

Interview for 'A German Genius in Britain', documentary on W. G. Sebald, BBC Radio 4 (29 May 2014) here.

Interview for 'Critical Thinking #5: Marina Warner', by Zeljka Marosevic, in Prospect Magazine, (8 May 2014 )here.
Interview for 'Marina Warner unlocks the cross-cultural secrets of the Arabian Nights', by Clare Dight, in The National, Abu Dhabi, (8 May 2014) here.

Interview for 'Good Swan, Bad Swan: Dancing Swan Lake', BBC Four (9 March 2014)
Interview for The Sydney Morning Herald and The Age on Melbourne Writers Festival, by Fiona Gruber (17 August 2013)
Interview by Omar Berrada about Stranger Magic, for Bidoun Magazine #28 (Summer 2013)
Interview 'The Right to Write', for Trinidad Express, by Sateesh Maharaj (5 May 2013)
Interview on Stranger Magic for Bint Al Khaleej – UAE – Arabic Magazine, Issue 87 (March 2013)

Interview for 'Great Artists in their Own Words', Episode 1: 'The Future Is Now (1907 - 1939)' and Episode 3: 'But Is it Art? (1976 – 1993)', BBC Four (May 2013)

'Critical Thinking #5: Marina Warner' by Zeljka Marosevic, published in Prospect Magazine 08th May 2014, the interview can be read here.

'Marina's the Lady Writer' , MW featured in article in The Daily Mail, 21 April 2013, can be read here.

MW interviewed by Omar Berrada about Stranger Magic for Bidoun Magazine #28 Summer 2013.

MW interviewed by Katie Antoniou for Run Riot Blog, 08 November 2011 can be read here.

Sophie Elmhirst, The New Statesman The Books interview, 5th December 2011.
Nicholas Tredell, Conversations with Critics (Manchester, 1994)
Lisa Hopkins, ‘An interview with Marina Warner’ Sheffield Thursday No 4/5, Autumn 1994, 81-95.
Hopkins, Lisa, ‘Revisiting The Tempest: Marina Warner’s Indigo’, Sheffield Thursday, Summer 1995
Mary Condé, ‘Finding a Voice for Martha: Marina Warner’s “Mary Takes the Better Part” in Journal of the Short Story in English, no 22 Summer l994, Presses de l’Université d’Angers
Chantal Zabus, ’ Spinning a Yarn with Marina Warner’, in Kunapipi: Post Colonial Women’s Writing Vol XVI No. 1, l994, 519-529.

'Tapping into creativity: Why I live in Kentish Town' an article by MW published in Evening Standard, 26 May 1993 page 47 can be read as a pdf here.

Richard Todd, ‘Marina Warner’, Post-war literatures in English, September 1995.
Richard Kearney, ed., States of Mind, Dialogues with contemporary thinkers on the European mind (Dublin, l995)
Richard Todd, Consuming Fictions The Booker Prize and Fiction in Britain Today (London, l996)
Laurence Coupe, Myth (London, 1997)

Tobias Doering, ‘Chains of Memory- English-Caribbean Cross-Currents in Marina Warner’s Indigo and David Dabydeen’s “Turner”, in Across the Lines Intertextuality and Transcultural Communications in the New Literatures in English. Ed. Wolfgang Klooss. Cross/Cultures 32 ASNEL Papers 3. l998.
Kari Boyd McBride, ‘Marina Warner’, British Novelists since l960, ed. Merritt Moseley (Columbia, South Carolina, l999)

Steven Connor, The English Novel in History 1950-1995. London, l996, pp. 186-198.
Laurence Coupe,’The Comedy of Terrors: Reading Myth with Marina Warner’, PN Review 128: 52-55.
See entries in The Cambridge Guide to Women’s Writing in English , ed. Lorna Sage (Cambridge, l999).
See entry in David Macey, The Penguin Dictionary of Critical Theory (London, 2000)
Jane Aikins Haslett, Marina Warner: Feminist Mythographer (Ph.D.Thesis Edmonton, Alberta, 2001)
C. Zabus, “The Power of the Blue-Eyed Hag”, in H. Jelinek et al. (eds.), A Talent(ed) Dig-ger, Amsterdam, Rodopi, 1996

E. Kilian, “Visitations from the Past: The Fiction of Marina Warner”, in H. von Irmgard Maassen et al. (eds.), Anglistik & Englischunterricht, (Sub) Versions of Realism - Re-cent Women’s Fiction in Britain, Heidelberg, Universitatsverlag C., Winter, 1997
M. Roberts, “On Fairy Tales and Their Tellers: From the Beast to the Blonde”, in M. Roberts, Food, Sex and God on Inspiration and Writing, London, Virago, 1998
C. Cakebread, “Sycorax Speaks: Marina Warner’s Indigo and The Tempest”, in M. Novy (ed.), Transforming Shakespeare: Contemporary Women’s Re-Visions in Literature and Performance, Basingstoke, Macmillan, 1999

S. Sellers, “Bodies of Power: Beauty Myths in Tales by Marina Warner, Emma Donoghue, Sheri Tepper and Alice Thompson”, in S. Sellers, Myth and Fairy Tale in Contemporary Women’s Fiction, Basingstoke, Palgrave, 2001
E. Federici, “Weaving Identities: M. Warner’s Rewriting of Western Traditions”, Englishes, n. 21, 2003
A. Atilla, “Regaining the Lost Memory in Marina Warner’s Indigo: Or Mapping the Waters: A Rewriting of Shakespeare’s The Tempest”, Interactions, vol. 13.2, EGE University, 2004

R. Irving, “On Ghosts and Ground Plants, Nanoverses and The Leto Bundle- A Conversation with Marina Warner”, 2001
C. Zabus, Tempests after Shakespeare, Basingstoke, Palgrave, 2002

'MW is interviewed for The Guardian January 22 2000. 'Absolutely fabulist' Nicholas Wroe on a writer who applies high learning to low culture and is now turning her attention to psychic research. The article can be found here.


Broadcast 'Letter to an Unknown Soldier', a series of WW1 centenary memorial commissions. (26 June 2014)

Broadcast 'The Power and the Passion – Marina Warner on the power of places', BBC Radio 4 (9 April 2014)

Essay [title?] on Lotte Reiniger's 'The Adventures of Prince Achmed', Blu-ray dual format release, BFI, August 2013

'Archaeology: Five Minatures' by Abdelfattah Kilito, trans. Clare Finburgh and Marina Warner, in The White Review (9 November 2013)

Kathryn Hughes, 'Rereading Alone of All Her Sex by Marina Warner', in The Guardian (23 March 2013)

Richard Hoggart Lecture, Goldsmiths University, Postfeminist Discourse in Shakespeare’s The Tempest and Warner’s Indigo: Ambivalence, Liminality and Plurality, by Natali Boğosyan (Cambridge: Cambridge Scholars Publishing, 2012)




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