About Marina Warner

On Marina Warner's work

Books

Chantal Zabus, 'Fusioni e metamorfosi''; Robert Fraser, Intervista; Bibliografia, in Narrativa storica e riscrittura: Saggi e interviste, eds. Daniela Corona, Valentina Castagna, Sabina D'Alessandro (Studi e Ricerche 50, Palermo, 2007.
Laurence Coupe, Marina Warner (in series Writers and Their Work, ed. Isobel Armstrong, London: British Council), 2006.
Corona, Daniela. “C’Era due volte…” La narrativa realistica di Marina Warner (Palermo, 2002)
Babos, Daniela. Postmodern Issues in Marina Warner’s Indigo and The Lost Father, Cluj-Napoca (Rumania), 2002
Sanda Berce and Monika Varga, /Intertextuality As a Form of Virtual Reality/ (Cluj-Napoca: Editura Dacia, 2002)

Articles & interviews
Nicholas Tredell, Conversations with Critics (Manchester, l994)
Lisa Hopkins, 'An interview with Marina Warner' Sheffield Thursday No 4/5, Autumn 1994, 81-95.
Hopkins, Lisa, 'Revisiting The Tempest: Marina Warner's Indigo', Sheffield Thursday, Summer 1995
Mary Condé, 'Finding a Voice for Martha: Marina Warner's “Mary Takes the Better Part” in Journal of the Short Story in English, no 22 Summer l994, Presses de l'Université d'Angers
Chantal Zabus, ' Spinning a Yarn with Marina Warner', in Kunapipi: Post Colonial Women's Writing Vol XVI No. 1, l994, 519-529.
Richard Todd, 'Marina Warner', Post-war literatures in English, September 1995.
Richard Kearney, ed., States of Mind, Dialogues with contemporary thinkers on the European mind (Dublin, l995)
Richard Todd, Consuming Fictions The Booker Prize and Fiction in Britain Today (London, l996)
Laurence Coupe, Myth (London, 1997)
Tobias Doering, ‘Chains of Memory- English-Caribbean Cross-Currents in Marina Warner’s Indigo and David Dabydeen’s “Turner”, in Across the Lines Intertextuality and Transcultural Communications in the New Literatures in English. Ed. Wolfgang Klooss. Cross/Cultures 32 ASNEL Papers 3. l998.
Kari Boyd McBride, ‘Marina Warner’, British Novelists since l960, ed. Merritt Moseley (Columbia, South Carolina, l999)
Steven Connor, The English Novel in History 1950-1995. London, l996, pp. 186-198.
Laurence Coupe,’The Comedy of Terrors: Reading Myth with Marina Warner’, PN Review 128: 52-55.
See entries in The Cambridge Guide to Women’s Writing in English , ed. Lorna Sage (Cambridge, l999).
See entry in David Macey, The Penguin Dictionary of Critical Theory (London, 2000)
Jane Aikins Haslett, Marina Warner: Feminist Mythographer (Ph.D.Thesis Edmonton, Alberta, 2001)
C. Zabus, "The Power of the Blue-Eyed Hag", in H. Jelinek et al. (eds.), A Talent(ed) Dig-ger, Amsterdam, Rodopi, 1996
E. Kilian, "Visitations from the Past: The Fiction of Marina Warner", in H. von Irmgard Maassen et al. (eds.), Anglistik & Englischunterricht, (Sub) Versions of Realism - Re-cent Women's Fiction in Britain, Heidelberg, Universitatsverlag C., Winter, 1997
M. Roberts, "On Fairy Tales and Their Tellers: From the Beast to the Blonde", in M. Roberts, Food, Sex and God on Inspiration and Writing, London, Virago, 1998
C. Cakebread, "Sycorax Speaks: Marina Warner's Indigo and The Tempest", in M. Novy (ed.), Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance, Basingstoke, Macmillan, 1999
S. Sellers, "Bodies of Power: Beauty Myths in Tales by Marina Warner, Emma Donoghue, Sheri Tepper and Alice Thompson", in S. Sellers, Myth and Fairy Tale in Contemporary Women's Fiction, Basingstoke, Palgrave, 2001
E. Federici, "Weaving Identities: M. Warner's Rewriting of Western Traditions", Englishes, n. 21, 2003
A. Atilla, "Regaining the Lost Memory in Marina Warner's Indigo: Or Mapping the Waters: A Rewriting of Shakespeare's The Tempest", Interactions, vol. 13.2, EGE University, 2004
R. Irving, "On Ghosts and Ground Plants, Nanoverses and The Leto Bundle- A Conversation with Marina Warner", 2001
C. Zabus, Tempests after Shakespeare, Basingstoke, Palgrave, 2002